When he first began drawing, Vincent Cordelle was studying to become an architect, a profession that runs in his family.  While appreciation of the structural remains fundamental to his aesthetic, Cordelle’s course change to fine art remains unconstrained by materials or medium.

 

Continuing a creative practice including sculpture, intaglio print-making, and painting, Vincent Cordelle’s most explored subject matter has been figuration.  Enamored with both contemporary and classical art, Cordelle’s marbled high contrast compositions merge abstract expressionism with the movement, drama, and academia of the Baroque period.

 

Often compared to Hugo Crosthwaite, Manuel Neri, and Cecilia Miguez, Cordelle’s investigation of the human form considers the emotion carried internally and externally through one’s senses and beyond.